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Experimental Archaeology

Experiencing Visible and Invisible Metal Casting Techniques in the Bronze Age Italy

M. Barbieri,
C. Cavazzuti,
L. Pellegrini and
F. Scacchetti (IT)
OpenArch Dialogue with Skills Issue
***What we know about Bronze Age metalworking in Italy basically relies on finished artefacts and on stone, clay or bronze implements involved in the process of manufacturing (tuyères, crucibles, moulds, hammers, chisels, et cetera; Bianchi, 2010; Bianchi, in press).

Field Trials in Neolithic Woodworking – (Re)Learning to Use Early Neolithic Stone Adzes

R. Elburg,
W. Hein,
A. Probst and
P. Walter (DE)
OpenArch Dialogue with Skills Issue
***Excavations of several Early Neolithic wells with excellent preservation of the wooden lining in the past years have made clear that Stone Age woodworking already attained a very high level of perfection. This poses the question how it was possible to execute this type of work with the means available at that time...

Two Reconstructions of Prehistoric Houses from Toruń (Poland)

G. Osipowicz,
D. Nowak and
J. Kuriga (PL)
In 1998 the Society for Experimental Primeval Archaeology (SEPA) was founded at the Institute of Archaeology at the Nicolaus Copernicus University (NCU) in Toruń. Since its beginnings, SEPA members have dedicated a great effort to engaging in numerous scientific experiments with the aim to present human lifestyle in prehistoric times in general...

Get into the Grave: Notions of Community Social Identity in a Late 3rd Millennium Site, Derived from an Experimental Carving of a Shaft Tomb at Ramat Bet Shemesh (Israel)

Y. Tsur,
N. Kahalani,
Y. Paz and
R. Nickelberg (IL)
Khirbet el-Alia is a large mound, located north-east of Tel Yarmouth, in the Ramat Bet Shemesh region of Israel. An excavation that was conducted north of the mound revealed the remains of a settlement and an adjacent cemetery of shaft graves, dating back to the Intermediate Bronze Age (IBA)...

The Iron Age Iberian Experimental Pottery Kiln of Verdú, Catalonia, Spain

Ramon Cardona Colell* et allii (CAT)
The goal of this project is to reconstruct the operational sequence of manufacture of Iberian Iron Age pottery, from clay procurement to firing in a reconstructed kiln. Although pottery is the most characteristic artefact recovered on Iberian Iron Age excavations, most of its complex processes and production techniques remain poorly known...

An Experimental Comparison of Impressions Made From Replicated Neolithic Linen and Bronze Age Woollen Textiles on Pottery

Lauren Ferrero (UK)
Textile impressions on pottery provide evidence for fabrics and weaves in areas where the fabrics themselves do not survive. This article argues that the impressions can provide information on the uses of different fibres, the weaving technologies and possible trading or agricultural advances connected with these fibres...

The Prometheus Project

Ryan Watts (UK)
7th UK EA Conference Cardiff 2013
***The Prometheus Project was an experimental archaeological investigation carried out at Butser Ancient Farm, Hampshire, England, into prehistoric logboat building techniques. The project focused on exploring the use of fire in building logboats...

Reinventing the Egyptian Pulley

Stephen Blakely and
Gregory Blakely (US)
8th UK EA Conference Oxford 2014
***The Egyptian pulley incorporates several novel, useful features. The design involves only significant compressive loading of its two components. The materials of construction are high compressive strength materials...

Investigating the Influence of the Kettle Material on Dyeing in the Industry of Pompeii

K. Kania,
H. Hopkins,
S. Ringenberg
7th UK EA Conference Cardiff 2013
***Dyeing, especially in bright, intense colours, has been one of the methods used to embellish textiles and add to their value. A considerable dyeing industry can be shown to have existed in Pompeii. The city of Pompeii was destroyed in a volcanic eruption in AD 79, but its remains were preserved in situ...

An Experimental Approach to Studying the Technology of Pottery Decoration

Golnaz Hossein Mardi (CA)
8th UK EA Conference Oxford 2014
***The early Middle Chalcolithic pottery tradition of Seh Gabi Tepe in Iran is called Dalma tradition. Among the different types of Dalma pottery, I have focused on monochrome painted ceramics, to investigate, by means of experimental analysis, how their decoration technology was undertaken...

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