The leading journal for those involved in experimental archaeology or archaeological open-air museums, featuring the latest developments in fieldwork, academic research, museum studies and living history interpretation.

For further information please e-mail J. Katerina Dvoráková.

Last added articles

Book review: Heritage Tourism Destinations by Maria D Alvarez (et al.)

Roeland Paardekooper (NL)
This book is a follow-up from the first Hospitality, Tourism and Heritage International Conference, held in Istanbul, Turkey from the 6th to the-7th November 2014. It is wonderful that these papers were published only two years later. This book’s goal is to cross the bridge between theory and conceptual reflections...

Book Review: The Art of Prehistoric Textile Making: The Development of Craft Traditions and Clothing in Central Europe by Karina Grömer

Raylene McCalman (US)
Textile research has made significant advances in recent years as new technologies and methods are developed, tested, and applied to the analyses of archaeological textiles. The FWF-Project1, a collaborative research effort involving researchers and artists from institutions in Austria, the Netherlands, and Germany, engaged in ...

Conference Review: EAA Vilnius – about archaeological tourism, visualization, experiment and reconstruction

Roeland Paardekooper (NL)
The European Association of Archaeologists held its annual conference of 2016 in Vilnius, Lithuania. About 1,500 participants attended a programme, with a similar number of papers, in over 100 sessions. About a dozen EXARC members attended; what follows here is a review of three sessions...

Archeofest 2016: among experimental archaeology, ethnography and scientific disclosure

Massimo Massussi and
Sonia Tucci (IT)
The Archeofest is an experimental archaeological festival designed by Paleoes - eXperimentalTech ArcheoDrome (EXTAD), a cultural association comprising of experimental archaeologists, anthropologists, experts of ancient technologies and their re-enactments, whose focus on making the archaeological knowledge more comprehensive to the public...

The best way of preserving something is to educate about it - Educational Centres in South Africa

Frauke Sontberg (SE)
This article aims to show the kind of issues South- African archaeologists have, working with public archaeology. A past that was segregated earlier should now be shared, but sharing a common past includes alternative perspectives on history and archaeology, for the archaeologist as well as for the public.

Interview: “I have never done an experiment in my whole life!” with Mamoun Fansa

Katrin Pres (DE)
For almost 25 years, Mamoun Fansa has been one of the defining personalities within the discipline of experimental archaeology. In 1990, he introduced his exhibition `Experimental Archaeology in Germany’. The exposition continued to circulate all over Germany and Europe for the next 14 years...

Visual Aids for Presentations

Neil Peterson (CA)
“I'm a great believer that any tool that enhances communication has profound effects in terms of how people can learn from each other, and how they can achieve the kind of freedoms that they're interested in”. Bill Gates

How to make yours one of the Good presentations

Neil Peterson (CA)
“The two words 'information' and 'communication' are often used interchangeably, but they signify quite different things. Information is giving out; communication is getting through”. Sydney J. Harris

The Metalworker and his Tools: QUB Belfast Conference

Giovanna Fregni (UK)
A recent conference, funded partially by UISPP, was held in Queens University Belfast. While its main focus was on Bronze Age metalsmithing tools and assemblages, the MeTools conference (23-25 June at Queen’s University, Belfast) had several presentations that focussed on experimental archaeology as a means of exploring metalworking craft...

Discussion: Working with knives in AOAMs

For the authors see the article
This is an extract from a lengthy and lively Facebook discussion in the Archaeological Open Air Museums group, started on the 5th of February 2016 by Roeland Paardekooper, at that time in the Archäologisches Freilichtmuseum Oerlinghausen...


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